By Nicole Stanbridge, Curator of Engagement
In 1850, James Douglas, an agent of the Crown, was appointed authority by the colonial office in London to establish a colony on Vancouver Island. The fourteen purchase agreements (Douglas Treaties or Vancouver Island Treaties) that Douglas completed with Vancouver Island Indigenous nations are transcribed on the Government of Canada website. These treaties are contentious and have been the subject of much discussion and research.
By Nicole Stanbridge, Curator of Engagement
Field Trip: Art Across Canada is a new online initiative that emerged when galleries and museums across the country closed their doors in the wake of the pandemic.
By Regan Shrumm, AGGV Assistant Curator
Throughout April and May, the Art Gallery of Greater Victoria held a series of virtual programming examining the accessibility of the Victoria arts community as a way to help create a new program around the themes of intersectional communities and barrier-free art.
Although not always visible, the AGGV is often supporting ongoing projects that extend well beyond its walls. One such project is Wa’witłala: The Pervasiveness of Water/Cannot Go Against the Tide.
By Ellen Manning, AGGV Marketing Specialist
Over the past few years, we’ve been building a dialogue and creating a verbal infrastructure that will support the weight of a hefty topic: the future of the Art Gallery of Greater Victoria.
By Audrey Wang, AGGV Volunteer For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV relied on an esteemed panel of four Indigenous curators who had chosen the works and created the didactic panels for the show. AGGV curators Michelle Jacques and Nicole Stanbridge explained how they invited Marcia Crosby, […]
Following on “The Gallery As Authority: Place“, Part 3 of the Communities + Collections series, entitled “Re-search” explored the complexity of how knowledge is shared, collected, and used to empower and/or disenfranchise. The event in early February drew a crowd from all walks of life and was graced by our two Indigenous keynote speakers, Eli Hirtle […]
Since June 2016, the Communities + Collections series has been hosting a community conversation called “The Gallery as Authority?”. The question mark in the title is significant. It challenges both the institution and its audience to think about the Gallery’s role in today’s ever-changing social and political landscape. This season’s installment takes on the theme […]
By Audrey Wang, AGGV Volunteer Pictured above: Praying monk | Burma (Myanmar) | wood, lacquer, gilt pigment, glass | ht. 33.2 cm. | Harold and Vera Mortimer-Lamb Bequest, AGGV 1980 Victoria’s geographical location makes it Canada’s closest city to the Far East, so it seems fitting that the Art Gallery of Greater Victoria should have one of […]
In case you missed this Communities and Collections workshop on packing art at the AGGV, here’s a word to the wise (coming from Corey Bryson, our Gallery Preparator/Technician, so listen up!): 1) Label Label Label Labelling your package is your only form of communication once the package leaves you. Use big bold labels stating which […]
