Over the past few years, we’ve been building a dialogue and creating a verbal infrastructure that will support the weight of a hefty topic: the future of the Art Gallery of Greater Victoria.
For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV relied on an esteemed panel of four Indigenous curators who had chosen the works and created the didactic panels for the show. AGGV curators Michelle Jacques and Nicole Stanbridge explained how they invited Marcia Crosby, Lou-ann Neel, lessLIE and Alana […]
Following on “The Gallery As Authority: Place“, Part 3 of the Communities + Collections series, entitled “Re-search” explored the complexity of how knowledge is shared, collected, and used to empower and/or disenfranchise. The event in early February drew a crowd from all walks of life and was graced by our two Indigenous keynote speakers, Eli Hirtle […]
Since June 2016, the Communities + Collections series has been hosting a community conversation called “The Gallery as Authority?”. The question mark in the title is significant. It challenges both the institution and its audience to think about the Gallery’s role in today’s ever-changing social and political landscape. This season’s installment takes on the theme […]
Pictured above: Praying monk | Burma (Myanmar) | wood, lacquer, gilt pigment, glass | ht. 33.2 cm. | Harold and Vera Mortimer-Lamb Bequest, AGGV 1980 Victoria’s geographical location makes it Canada’s closest city to the Far East, so it seems fitting that the Art Gallery of Greater Victoria should have one of the country’s most distinguished Far […]
In case you missed this Communities and Collections workshop on packing art at the AGGV, here’s a word to the wise (coming from Corey Bryson, our Gallery Preparator/Technician, so listen up!): 1) Label Label Label Labelling your package is your only form of communication once the package leaves you. Use big bold labels stating which […]
We thank Dr. Fuyubi Nakamura and the guests who braved Victoria’s unusual winter blizzard on February 8, for coming to the AGGV’s inaugural Communities + Collections lecture. The aim of this new series is two-fold: firstly, to bring fresh insight into the Gallery’s permanent collection through lectures, workshops and tours by guest speakers and facilitators; and secondly, […]
In the third installment of our Communities + Collections program which focuses on the Gallery’s Asian Art collection and coincides with the exhibition Millennia: Asian Art through the Ages, we are happy to have Yang Liu talk about “The Transformation of Landscape Representation in Chinese Art”.
“Our collection is full of wonders from around the world, from Rembrandt to Carr and Genghis Khan to ancient Syria. It is the job of the Collections Department to manage these objects (20,000 and counting) to document them, ship them, produce exhibitions, frame them, photograph them and care for them, come have a look behind […]
The Art Gallery of Greater Victoria presents Communities + Collections, a new program that gains insight into the diversity of our permanent collections, with the help of guest speakers and facilitators. Coinciding with the Millennia exhibition, we have invited Dr. Melia Belli Bose (pictured above) to talk about the afterlife in ancient China.
The preservation of Vancouver Island’s intangible heritage was at the heart of the Communities + Collections workshop, Mapping Asian-Canadian Community Stories on Vancouver Island, held in collaboration with the UVIC projects, Landscapes of Injustice and Asian Canadians on Vancouver Island. The Landscapes of Injustice project came about as a means to come to terms with […]