By Audrey Wang, AGGV Volunteer Pictured above: Praying monk | Burma (Myanmar) | wood, lacquer, gilt pigment, glass | ht. 33.2 cm. | Harold and Vera Mortimer-Lamb Bequest, AGGV 1980 Victoria’s geographical location makes it Canada’s closest city to the Far East, so it seems fitting that the Art Gallery of Greater Victoria should have one of […]
By Nicole Stanbridge, Curator of Engagement
“I chose a recent acquisition to our permanent collection by Vancouver-based artist Brendan Lee Satish Tang. Pictured above, Manga Ormolu Ver. 5.0 is a work from Tang’s Manga Ormolu series that uses the 18th-century French gilding technique known as ormolu and fuses it with inspiration from pop culture (in particular, Japanese anime and manga).”
Confused by some of the terms you find in our Gallery or on our website? We’ve created a useful alphabetical list that explains some terms based on our current exhibition programming. Stay tuned to the AGGV emagazine as this will be a regular segment – and we’ll be sure to grow that list for you! […]
Pictured above: Kristina Kudryk | Portrait of the Artist in the Guise of the Empress Loyola and Under the Spell of Maxwell Bates | oil on canvas | Gift of the Artist, AGGV 2010 Enter through the doors of the Centennial Gallery to see the AGGV’s exhibition, Close To Home, and you will be struck by […]
By Audrey Wang, AGGV Volunteer The AGGV’s latest exhibition Close To Home evokes many reactions, as the viewer moves from one room to another. The exhibition is hung, more or less, in chronology. However, the works have been purposefully positioned such that the viewer sees connections between works. Some of these links are obvious, and others […]
Montreal-based artist, Karen Tam, spent the month of May in Victoria in preparation for her exhibition at the AGGV, With wings like clouds hung from the sky 大鵬就振翼 (Seal Chop of Lee Nam installation – view pictured – above), which opens on June 3. Based on the friendship between Victoria’s iconic artist, Emily Carr, and […]
Pictured: Adelle Andrew | Over the Edge | undated | acrylic on canvas | 30 x 30 cm | 2015 “Adelle was a fixture at the TD Moss Street Paint-In. In her oversized red sunhat and her boldly coloured painter’s smock, she drew a crowd and had a loyal following of collectors. Her early paintings highly detailed […]
Pictured: Harold Mortimer-Lamb | Emily Carr in Her Studio | 1936 | Harold and Vera Mortimer-Lamb Purchase Fund, AGGV 1980 1. Emily Carr is indelibly associated with the West Coast, having been born in Victoria in 1871 and spending most of her life in her place of birth. 2. Although Emily Carr considered herself an […]
Pictured: Lynda Gammon | Studio Pictures (562 Fisgard) | 1983-1989 | Polaroid photographic prints | Purchased with the support of the Canada Council for the Arts Acquisition Grants program and the George and Lola Kidd BC Art Acquisitions Fund, 2016. Entering through the bright red door tucked amidst a bustling Asian grocery store, a Chinese bakery […]
In case you missed this Communities and Collections workshop on packing art at the AGGV, here’s a word to the wise (coming from Corey Bryson, our Gallery Preparator/Technician, so listen up!): 1) Label Label Label Labelling your package is your only form of communication once the package leaves you. Use big bold labels stating which […]
By Audrey Wang, AGGV Volunteer As the boulevards surrounding the Art Gallery of Greater Victoria burst into a cloud of pink and white blooms, we ushered in Spring with our inaugural Cherry Blossom Festival during the first week of April. Celebrations at the Gallery kicked off with an evening of poetry reading, followed by an […]
While all of us waited patiently for the cherry blossoms on Moss Street to come into bloom, the March session of Family Sunday at the Gallery was an array of pink flowers and Japanese calligraphy to celebrate Sakura season. All this was made possible by Michael Abe and his family. We met Michael back in […]
The strong verticals of Tim Paul’s cedar totem carving resonate next to Sybil Andrew’s print of Western Red Cedar. This was the reason behind Curator Michelle Jacques’s placement of the two artworks side-by-side in the exhibition, Close To Home. The visual impact and the difference in colour tonality draw the eye from one to the other. […]
