By Audrey Wang, AGGV Volunteer
The centenarian and beloved BC-based artist and philanthropist, Gordon Appelbe Smith, worked prolifically up until he turned 100. The AGGV is fortunate to have many of Smith’s artworks that document his West Coast aesthetic. This body of works also serves as a profound testament to the art movements of the 20th century in Western Canada.
At the Art Gallery, we have a flower count from our vast art collection. How many varieties can you name in the artworks in this article? Take our quiz and scroll down to the end for the answers!
The Art Gallery of Greater Victoria houses one of the greatest and most diverse Asian art collections in Canada, with works from China, Japan, Korea, Tibet, India, Vietnam and Thailand. In this quarter’s segment of “Art Terms For Beginners”, we will continue to focus on terminology specific to Asian art and culture.
Calling all you birders! Not only can birdwatching be done through binoculars or telescopes, by listening for bird sounds or watching public webcams, but it can also be done through browsing the AGGV collection with a naked eye. Can you guess what kind of birds are depicted below?
Matriarchs: Prints by First Nations Women is an exhibition that aims to build relationships with First Nations artists and is guest-curated by Margaret August, a Two-Spirited, Coast Salish artist from Shíshálh Nation.
Phillips’ work was greatly influenced by his surroundings, first in Manitoba, then in Alberta. The landscapes of these provinces – prairie and mountain views – dominate his oeuvre, which of course also included landscapes of his home country of England and places he visited on his travels.
In art, the term “Japonisme” (from the French) was coined by the French art critic Philippe Burty in 1872, to describe the influence of Japanese art on the fine and decorative arts, sculpture, architecture and the performing arts of Western culture.
On March 9, the AGGV celebrates two separate, but related, exhibitions that memorialize Mount Fuji and its manifestations in the Japanese and non-Japanese aesthetic.
Geometry can be felt in the balance of a canoe prow and measured in each loop of a cedar bark basket. More prominently, it can be seen in the distinctive ornamentation painted upon sculptures and weavings alike. – India Young, guest writer for the exhibition Beyond the Edges The AGGV’s exhibition Beyond the Edges: Art […]
