In preparation of a future exhibition on Buddhism and contemporary art practices at the AGGV, this issue’s Art Terms post will focus on terms and names associated with this ancient system of beliefs.
Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]
A wander through the Victorian-era Spencer Mansion of the Art Gallery will inevitably lead you to an encounter with Iain Baxter&’s Still Life made from vacuum formed plastic and painted with bright turquoise acrylic. Made in 1965, this sculpture is among a series of vacuum formed plastic pieces that Baxter& was well-known for. Born Iain Baxter […]
“Perhaps mine is “environmental” sculpture, rather than geometric…I have never made anything not closely connected with the human being and his environment. Man and his longings, desires, his dwellings, the thresholds he passes over and his places of worship concern me; people, buildings, entrances through which people go in, come out; and the apprehension, the […]
Curator of Engagement, Nicole Stanbridge, shares insight on her favourite new piece from our collection: “I chose a recent acquisition to our permanent collection by Vancouver-based artist Brendan Lee Satish Tang. Pictured above, Manga Ormolu Ver. 5.0 (purchased with the support of the Canada Council for the Arts Acquisition Grants program and the George and Lola […]
The AGGV’s latest exhibition Close To Home evokes many reactions, as the viewer moves from one room to another. The exhibition is hung, more or less, in chronology. However, the works have been purposefully positioned such that the viewer sees connections between works. Some of these links are obvious, and others less so. This is where […]
The strong verticals of Tim Paul’s cedar totem carving resonate next to Sybil Andrew’s print of Western Red Cedar. This was the reason behind Curator Michelle Jacques’s placement of the two artworks side-by-side in the exhibition, Close To Home. The visual impact and the difference in colour tonality draw the eye from one to the other. […]
The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]
Curator’s Clip with Allan Collier: Life with Clay from Art Gallery of Greater Victoria on Vimeo.
The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]
About Face is a collection of figurative representations by local artists in the Massey Sales Gallery.
We are honoured to present a retrospective of pottery and clay sculpture by Victoria artists Jan and Helga Grove. This extensive exhibition is comprised of approximately one hundred pieces of pottery and sculpture made between 1953 and 2005.
The Art Gallery of Greater Victoria is committed to high quality educational programming. We launched the Teacher Resource Guide in September, and since then, our Gallery educators Sherry Willing and Jen Van de Pol have been busy facilitating 1/2 day workshops in participating schools along with guest artists Alexis Hogan and April Russell.