Emily Carr


The AGGV is excited to host a major exhibition for the summer of 2024: Generations: The Sobey Family and Canadian Art. Steven McNeil, AGGV Chief Curator & Director of Collections and Exhibitions, tells us why seeing this exhibition is a once-in-a-lifetime opportunity.


Steven McNeil,  AGGV Chief Curator & Director of Collections and Exhibitions, shares much anticipated news about the Gallery’s permanent collections and the diverse selection of works to be exhibited in two newly dedicated Gallery spaces. The ongoing exhibition, A View From Here: Reimagining the AGGV Collections, will boast a rotating selection of some of the Gallery’s finest pieces.

Celebrating Emily Carr’s 150th Birth Anniversary

By Audrey Wang, AGGV Volunteer

December 13th, 2021, marks the 150th anniversary of Emily Carr’s birth. Beyond this commemoration, the AGGV’s exhibition Emily Carr: Seeing + Being Seen features artworks that carry significance that is as relevant today as they were nearly a century ago when they were first made.

Rethinking Emily: The Responsibility We Carry

By Mel Granley, Guest Curator

Emily Carr has become almost synonymous with the Pacific Northwest; her work being displayed year-round in different exhibition contexts to ensure the satisfaction of visitors to the AGGV. This drive to see her work is directed by the idea of checking off a list of great and thoroughly known artists within the artistic canon. The issue? The “art canon” is heavily Euro-Western centered and very keenly demonstrates a bias for settler-European art, while largely failing to acknowledge the artistic merits of historic and contemporary BIPOC artists.

An Inward Perspective: Celebrating the AGGV Collection

By Audrey Wang, AGGV Volunteer

Celebrating the AGGV Collection brings together the highlights in the AGGV’s permanent collection of artworks, bringing into perspective the breadth and depth of the Gallery’s holdings.

Say What? Art Terms For Beginners, Part 9

Abstraction in art is a visual language that uses line, colour, form and composition that are non-representational or independent to a certain degree of any reference to the world.

Unformable Things: The Curator’s Tour

Emily Carr’s works compare and contrast with the works of David Milne, Lawren Harris, A.Y. Jackson, Vera Weatherbie and many others, giving the viewer a chance to come to terms with the meanings behind the paintings and the artists’ take on exploring the varied landscapes of Canada.

Kit Pearson’s Emily Carr in A Day of Signs and Wonders

This is the imagined Emily Carr as a child, dreamed up by the award-winning Victoria-based children’s author, Kit Pearson, in her book A Day of Signs and Wonders (Harper Collins, 2016). We visited Pearson at her Oak Bay home which she shares with artist Katherine Farris and their two dogs, Piper and Brio, for a discussion on her book, and the two protagonists who lived in Victoria in 1881 – 9-year-old Emily and 13-year-old Kathleen O’Reilly.

Breaking Bread at Family Sunday

At December’s Family Sunday, we were happy to welcome our guests, artist Farheen Haq and her son Cairo, as well as the CBC’s Khalil Akhtar. Through art exploration, performance and food, our guests explored ideas about what it means to come “home”.