To Talk With Others responds to the minutes of a meeting in August of 1977 between Prime Minister Pierre Elliot Trudeau and ﬁve Yukon First Nations leaders regarding the then-approved Mackenzie Pipeline.
With the recent opening of To Talk With Others, organized by the Yukon Arts Centre, the AGGV Collections team discusses the challenges and processes that go into a travelling exhibition.
Enter the darkened Centennial Gallery at the AGGV and vicariously experience what it would be like to travel as a virtual camera moving around the sculptural looping installation that has been constructed out of tubular steel in the centre of the room. Film Path/Camera Path with under-titles is a conceptual multi-media artwork that combines the moving images of film with a sculptural expansion of a 35mm projector.
Opening at the Gallery in June is a body of new work by Victoria-based artist Megan Dickie. Blue Skies features video and sculpture installation that resist easy interpretations.
The exhibition Minimalism: Space. Light. Object. featured more than 150 works by artists from Europe, America, Australia and Asia, with the intention to document the history of this art movement that continues to inform the visual arts and contemporary practitioners today.
As a photographer, installing Fiona Tan: Ascent gave me the chance to think about images and videography in a new light, you know… to step back, reconsider and reimagine. Spending time with Fiona Tan’s work this week has broadened my understanding of the collective importance of Mount Fuji and I am humbled to have been a part of this exhibit. – Corey Bryson, AGGV Preparator/Technician.
On March 9, the AGGV celebrates two separate, but related, exhibitions that memorialize Mount Fuji and its manifestations in the Japanese and non-Japanese aesthetic.
Family Sunday morphed into the AGGV’s second Cherry Blossom Festival this March, in sync with the explosion of pink and white blossoms all over Victoria. Crowds filled the Gallery for this ever popular event, with City of Victoria Poet Laureate Yvonne Blomer taking to the Sakura Stage as emcee for the afternoon’s festivities. Performances included […]
1. New media art is a general term that describes the contemporary art genre that incorporates new media technologies such as digital art, computer animation, virtual reality, interactive art, video games, robotics and 3D printing, among others. 2. By focussing on the medium as a primary concern, new media art concepts stand to distinguish itself […]
Party For Our People is a public event celebrating the artists featured in the exhibitions at the AGGV in May 2018, three diverse yet unified shows that touch on issues pertinent to British Columbia’s major resources – the ocean and the forests. Supernatural: Art, Technology and the Forest was newly opened on the day […]
1. Allover Composition An allover picture refers to a two-dimensional work that lacks a dominant focal point and where the canvas is covered entirely with a composition that is treated uniformly. The term “allover picture” was first used by art critic Clement Greenberg in his 1948 essay “The Crisis of the Easel Picture”, in reference to “decentralized” […]
The exhibition Point of Contact: On Place and the Westcoast Imaginary centers on a pertinent part of Vancouver Island’s modern history, the story of Captain James Cook’s arrival in 1778 and his role in opening up trade at a place the colonists named Nootka. On a more personal level, the exhibition was put together by the AGGV’s […]
Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]