Opening at the Gallery in June is a body of new work by Victoria-based artist Megan Dickie. Blue Skies features video and sculpture installation that resist easy interpretations.
The exhibition Minimalism: Space. Light. Object. featured more than 150 works by artists from Europe, America, Australia and Asia, with the intention to document the history of this art movement that continues to inform the visual arts and contemporary practitioners today.
As a photographer, installing Fiona Tan: Ascent gave me the chance to think about images and videography in a new light, you know… to step back, reconsider and reimagine. Spending time with Fiona Tan’s work this week has broadened my understanding of the collective importance of Mount Fuji and I am humbled to have been a part of this exhibit. – Corey Bryson, AGGV Preparator/Technician.
On March 9, the AGGV celebrates two separate, but related, exhibitions that memorialize Mount Fuji and its manifestations in the Japanese and non-Japanese aesthetic.
Family Sunday morphed into the AGGV’s second Cherry Blossom Festival this March, in sync with the explosion of pink and white blossoms all over Victoria. Crowds filled the Gallery for this ever popular event, with City of Victoria Poet Laureate Yvonne Blomer taking to the Sakura Stage as emcee for the afternoon’s festivities. Performances included […]
1. New media art is a general term that describes the contemporary art genre that incorporates new media technologies such as digital art, computer animation, virtual reality, interactive art, video games, robotics and 3D printing, among others. 2. By focussing on the medium as a primary concern, new media art concepts stand to distinguish itself […]
Party For Our People is a public event celebrating the artists featured in the exhibitions at the AGGV in May 2018, three diverse yet unified shows that touch on issues pertinent to British Columbia’s major resources – the ocean and the forests. Supernatural: Art, Technology and the Forest was newly opened on the day […]
1. Allover Composition An allover picture refers to a two-dimensional work that lacks a dominant focal point and where the canvas is covered entirely with a composition that is treated uniformly. The term “allover picture” was first used by art critic Clement Greenberg in his 1948 essay “The Crisis of the Easel Picture”, in reference to “decentralized” […]
The exhibition Point of Contact: On Place and the Westcoast Imaginary centers on a pertinent part of Vancouver Island’s modern history, the story of Captain James Cook’s arrival in 1778 and his role in opening up trade at a place the colonists named Nootka. On a more personal level, the exhibition was put together by the AGGV’s […]
Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]
Each year, the AGGV rotates through about 14 exhibitions in its seven galleries. This keeps our Collections team very busy throughout the year. As each exhibition is staged and others are removed, the team goes through the artworks, checking for condition and helping to arrange them for display. The Gallery spaces are modified for the specific […]
After a 3-month hiatus over the summer, Family Sunday at the AGGV resumed with much gusto in October! The event was well attended by families who immersed themselves in the art and environmental activities inspired by Water Work Space, the interactive, research-and-development exhibition that combines art, activism and community engagement. We were fortunate to have […]
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
I hope the viewer will leave the exhibition with an understanding of how the idea of place is subjective and culturally constructed; and to consider the role that artists have played in shaping and informing these attitudes. The exhibition looks at Nootka as a case study and traces an arc of more than 200 years. […]