The majestic imagery of Supernatural: Art, Technology and the Forest has served as inspiration for numerous intriguing projects by young learners at the Gallery.
By Audrey Wang, AGGV Marketing Volunteer
Did you know that tea is the most widely consumed beverage in the world after water? Tea is believed to have been drunk in China since the Shang dynasty (1700-1027 BC) and may have begun as a medicinal tonic.
By Regan Shrumm, AGGV Assistant Curator
Many of the artworks in Supernatural: Art, Technology and the Forest are located on Vancouver Island, including Ian Wallace’s Clayoquot Protest, Mike McLean’s Jorden River series, and Leila Sujir’s Forest Breath. But seeing the forest through the medium of photography is a different experience from actually entering the forest. Or virtually seeing the forest through a stereoscopic video for that matter.
Mike Andrew McLean’s photographic works in Supernatural: Art, Technology and the Forest exude a sense of mystery and eeriness. But the truth is not too far off the viewer’s first impressions, because what is documented on film is essentially a ghost town.
As a follow-up on our previous Art Terms For Beginners post where we demystified European art terms, this post will look at terminology specific to Asian art.
In July, Curator Emeritus Barry Till led the curator’s tour of Remembering A Patron: Asian Art Donations from Dr Judith Patt, to a room full of Asian art enthusiasts and friends of the late Judith Patt.
The text messages came fast and furious starting Wednesday morning inviting participants to the open rehearsal and talk, then gradually over the weekend, revealing the three secret locations for performances of Moving Change by Brendan Fernandes.
1. The famed blue and white wares of the Ming dynasty (1368-1644) has its origins in the preceding Mongol-ruled Yuan dynasty (1279-1368) when Chinese potters were free from imperial obligation to experiment in new designs and methods of porcelain production.
By Jon Tupper, AGGV Director
What’s really happening when people encounter art? How does it affect them? It’s a mystery researchers have pondered for centuries. Here at the Gallery, I think of visitors regarding Emily Carr’s towering west coast forests; or an intricate Japanese print; or the ghostly digital trees in an installation such as Kelly Richardson’s The Erudition, which appears in our current show Supernatural: Art, Technology and the Forest.
By Sherry Willing, AGGV Education Coordinator
Using Art as a Stimulus for Writing: Young Writers Summer Workshop, a learning camp for high school aged youth, ran the second week in August in collaboration with the University of Victoria Writing Department. Annabel Howard, a professional writer, and University of Victoria Writing Instructor, led this creative group of young writers.
By Jennifer Van de Pol, Educator School Family Programs
In early August the Gallery had the pleasure of exploring the Supernatural: Art, Technology and the Forest exhibition with young learners (K-Grade 5) from SENĆOŦEN LE,NOṈET SCUL,ÁUTW̱ Survival School.