What We Wonder: Art and Poetry by Young Learners
The majestic imagery of Supernatural: Art, Technology and the Forest has served as inspiration for numerous intriguing projects by young learners at the Gallery.
A Global Tea Party
By Audrey Wang, AGGV Marketing Volunteer
Did you know that tea is the most widely consumed beverage in the world after water? Tea is believed to have been drunk in China since the Shang dynasty (1700-1027 BC) and may have begun as a medicinal tonic.
Forest Breath: A Portrait in Progress
By Regan Shrumm, AGGV Assistant Curator
Many of the artworks in Supernatural: Art, Technology and the Forest are located on Vancouver Island, including Ian Wallace’s Clayoquot Protest, Mike McLean’s Jorden River series, and Leila Sujir’s Forest Breath. But seeing the forest through the medium of photography is a different experience from actually entering the forest. Or virtually seeing the forest through a stereoscopic video for that matter.
Jordan River – Mike Andrew McLean’s Ghost Town Photos
Mike Andrew McLean’s photographic works in Supernatural: Art, Technology and the Forest exude a sense of mystery and eeriness. But the truth is not too far off the viewer’s first impressions, because what is documented on film is essentially a ghost town.
Say What? Art Terms for Beginners, Part 6
As a follow-up on our previous Art Terms For Beginners post where we demystified European art terms, this post will look at terminology specific to Asian art.
A Legacy of Asian Art
In July, Curator Emeritus Barry Till led the curator’s tour of Remembering A Patron: Asian Art Donations from Dr Judith Patt, to a room full of Asian art enthusiasts and friends of the late Judith Patt.
Moving Change by Brendan Fernandes
The text messages came fast and furious starting Wednesday morning inviting participants to the open rehearsal and talk, then gradually over the weekend, revealing the three secret locations for performances of Moving Change by Brendan Fernandes.
10 Things You Should Know About Chinese Blue and White Porcelain
1. The famed blue and white wares of the Ming dynasty (1368-1644) has its origins in the preceding Mongol-ruled Yuan dynasty (1279-1368) when Chinese potters were free from imperial obligation to experiment in new designs and methods of porcelain production.