Fort Street might just be our new favourite street, and we are attached to it in more ways than meets Moss (ha!). If you missed the joke, Fort Street runs perpendicular to the Art Gallery of Greater Victoria’s physical address, 1040 Moss Street. It has been the entrance to the annual TD Art Gallery Paint-In […]
1. Allover Composition An allover picture refers to a two-dimensional work that lacks a dominant focal point and where the canvas is covered entirely with a composition that is treated uniformly. The term “allover picture” was first used by art critic Clement Greenberg in his 1948 essay “The Crisis of the Easel Picture”, in reference to “decentralized” […]
The exhibition Point of Contact: On Place and the Westcoast Imaginary centers on a pertinent part of Vancouver Island’s modern history, the story of Captain James Cook’s arrival in 1778 and his role in opening up trade at a place the colonists named Nootka. On a more personal level, the exhibition was put together by the AGGV’s […]
Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]
I hope the viewer will leave the exhibition with an understanding of how the idea of place is subjective and culturally constructed; and to consider the role that artists have played in shaping and informing these attitudes. The exhibition looks at Nootka as a case study and traces an arc of more than 200 years. […]
In Christian iconography, the apple symbolizes Original Sin, the fall of man and temptation. In Chinese culture, the word for apple, “ping guo”, is a homophone for the word “ping”, meaning peace or tranquility, so an apple symbolizes a wish for peace. Apples also feature prominently in Greek myths. Fruits and vegetables are depicted in […]
Conceptual Art The term ‘concept art’ came into use in the early 1960s and became defined as an art movement around the late 60s. Conceptual art is a transformative art form whereby the idea (or concept) behind the work takes precedence over the actual finished artwork itself. By challenging art as an individual expression, conceptual […]
In our last issue of the emagazine, our article “Powerful Stories Close To Home” related how pairings and groups of artworks in the exhibition Close To Home complemented each other. By viewing these groupings of works in tandem, new ways of understanding and appreciating them were conceived. The Curator’s Tour on June 6 reiterated some […]
Confused by some of the terms you find in our Gallery or on our website? We’ve created a useful alphabetical list that explains some terms based on our current exhibition programming. Stay tuned to the AGGV emagazine as this will be a regular segment – and we’ll be sure to grow that list for you! […]
Pictured above: Kristina Kudryk | Portrait of the Artist in the Guise of the Empress Loyola and Under the Spell of Maxwell Bates | oil on canvas | Gift of the Artist, AGGV 2010 Enter through the doors of the Centennial Gallery to see the AGGV’s exhibition, Close To Home, and you will be struck by […]
Pictured: Adelle Andrew | Over the Edge | undated | acrylic on canvas | 30 x 30 cm | 2015 “Adelle was a fixture at the TD Moss Street Paint-In. In her oversized red sunhat and her boldly coloured painter’s smock, she drew a crowd and had a loyal following of collectors. Her early paintings highly detailed […]
