by Audrey Wang, AGGV Volunteer
Wandering along narrow Fan Tan Alley in Victoria’s Chinatown, you might come across a nondescript door with the name “HOWARTH” on it. This was the artist Glenn Howarth’s studio, where in 1987, he founded the Victoria Drawing Academy.
By Audrey Wang, AGGV Volunteer
Through history, travel has had an immeasurable impact on visual culture.
By Audrey Wang, AGGV Volunteer
Myfanwy Pavelic’s portraits go far beyond the mere representation of her sitters. Mostly self-taught in her art, Pavelic produces portraits which balance the outer with the inner, countering likeness with her subjects’ emotions, fears, strengths and vulnerabilities.
With travel off the table for the time being, our Art Quiz this quarter brings you on a journey to Europe to whet your appetite for when we can once again travel for leisure.
By Audrey Wang, AGGV Volunteer
Three paintings by Maud Lewis (1903-1970) were recently gifted to The Art Gallery of Greater Victoria by Frances E. Rose, a wonderful first acquisition for the Gallery of work by the renown Nova Scotian artist.
Nicole Stanbridge, Curator of Engagement, AGGV, interviews India Rael Young, Curator of Art and Images at the Royal BC Museum about the exhibition Emily Carr: Fresh Seeing – French Modernism and the West Coast.
By Audrey Wang, AGGV Volunteer
Celebrating the AGGV Collection brings together the highlights in the AGGV’s permanent collection of artworks, bringing into perspective the breadth and depth of the Gallery’s holdings.
By Tasha Henry, Teacher at Cedar Hill Middle School.
As part of the New Extreme program, the wall of the Art Gallery building facing Moss Street gets a new mural installed every spring. This year, the group called Melanin Magic from Cedar Hill Middle School created the mural “How We Fit Together”, mentored by artist Andrea Searle.
By Audrey Wang, AGGV Volunteer
Vera Weatherbie’s history as an artist is often overshadowed by her relationships with men and her exceptional beauty in many narratives.
By Audrey Wang, AGGV Volunteer
This past Spring, during a time when, typically, the outdoors is celebrated for the rejuvenation of life after winter, much of humanity spent it indoors, under government lockdown orders to shelter from the unseen enemy of COVID-19. Our homes became our refuge and safe place.
The varied land and seascapes around Victoria have provided inspiration to artists for hundreds of years. Can you identify where these locales are in the paintings, drawings and photographs below from the AGGV Collection?
By Duncan M. Ferguson, AGGV Exhibitions Preparator
Details in the emblematic portrait of Bibi La Purée will be visible for the first time in decades. Sophie Pemberton’s portrait of Bibi La Purée hasn’t been fit for exhibition in decades. There are few artworks that represent so much of an artist, but this one weaves a web of significance into one painting.
By Audrey Wang, AGGV Volunteer
The centenarian and beloved BC-based artist and philanthropist, Gordon Appelbe Smith, worked prolifically up until he turned 100. The AGGV is fortunate to have many of Smith’s artworks that document his West Coast aesthetic. This body of works also serves as a profound testament to the art movements of the 20th century in Western Canada.
