The art of woodblock printing became widespread in Japan during the Edo period (1603-1868) and is best known in the genre of ukiyo-e prints of the period. Prior to this, woodblock printing in Japan was used almost exclusively for reproducing Buddhist texts.
Through several thought-provoking activities, this fall’s educational workshops centered around a key theme: art is open to interpretation.
The AGGV Studio classes have been a steadfast fixture of the Gallery. With a dynamic range of offerings for all ages, there is something for everyone—including mums!
The realm of mythical beasts spans every culture and exists in all our folklore. We not only find them in our intangible heritage, but also in contemporary literature, art, film, science and culture. In the AGGV’s extensive collection of European, North American, First Nations and Asian art, a menagerie of fantastic beasts reveal countless stories.
In the 1950s, Mark Tobey, a Seattle artist with strong ties to Victoria, championed the work of Japanese-American artists, including Paul Horiuchi, also represented in AGGV’s collection. He later influenced major artists such as Jackson Pollock. As such, he’s a link between Buddhism and 20th Century abstract art.
AGGV Curator Haema Sivanesan is a recent recipient of a Robert H. N. Ho Family Foundation research grant in the amount of $150,000. She was also awarded a $50,000 curatorial research fellowship from the Andy Warhol Foundation for the Visual Arts. What is Sivanesan working on and why? Hint: it’s infinitely vast with neither a beginning nor an end. Therefore, let’s start with the present moment…
Over the past few years, we’ve been building a dialogue and creating a verbal infrastructure that will support the weight of a hefty topic: the future of the Art Gallery of Greater Victoria.
Activating Emily is a fun and dynamic educational resource targetted at viewers of all ages. Utilizing both a conventional activity-book format and an interactive mobile app with image recognition technology, the experience of enjoying Carr’s paintings is enhanced through the “activation” of the gallery spaces.
The Art Gallery of Greater Victoria is honoured to present Fiona Tan’s Ascent. This montage film is entirely made up of still photographic images depicting one of Japan’s most recognizable landmarks, Mount Fuji.
In anticipation of the Art Gallery of Greater Victoria’s building renewal project, our Collections team are faced with the mammoth task of preparing over 20,000 art pieces to be packed up. Allowing our visitors a peek behind the scenes, the LAB Gallery has been transformed into a staging area for the packing up…
For the first time ever the AGGV’s popular all-ages event, Family Sunday, appeared “pop-up” style at Kidlandia September 14-16.
In preparation of a future exhibition on Buddhism and contemporary art practices at the AGGV, this issue’s Art Terms post will focus on terms and names associated with this ancient system of beliefs.
Demian Dinéyazhi´began writing his ekphrastic long-form prose poem “An Infected Sunset” in the wake of the Pulse nightclub shooting in Orlando in August 2016, police killings of unarmed Black men, and in the midst of the Standing Rock protests against the Dakota Access Pipeline…
Perhaps it comes as no surprise that women are now, more than ever, breaking into the traditionally male-dominated role as art collector and patron.
As part of the rejuvenation plans for the Gallery to transition into The NEXT Gallery, BRAINSTORM is an interactive space for our community to express its hopes, dreams and desires for the AGGV moving forward.