Horiuchi was a painter and collagist whose work has become an important hybrid of Western-style abstraction, Asian calligraphy, and eastern philosophies. His body of work has helped situate an alternative narrative to the development of modern art in the Pacific Northwest, one that fully considers Japanese and North American relations.
In art, the term “Japonisme” (from the French) was coined by the French art critic Philippe Burty in 1872, to describe the influence of Japanese art on the fine and decorative arts, sculpture, architecture and the performing arts of Western culture.
On March 9, the AGGV celebrates two separate, but related, exhibitions that memorialize Mount Fuji and its manifestations in the Japanese and non-Japanese aesthetic.
The art of woodblock printing became widespread in Japan during the Edo period (1603-1868) and is best known in the genre of ukiyo-e prints of the period. Prior to this, woodblock printing in Japan was used almost exclusively for reproducing Buddhist texts.
The realm of mythical beasts spans every culture and exists in all our folklore. We not only find them in our intangible heritage, but also in contemporary literature, art, film, science and culture. In the AGGV’s extensive collection of European, North American, First Nations and Asian art, a menagerie of fantastic beasts reveal countless stories.
AGGV Curator Haema Sivanesan is a recent recipient of a Robert H. N. Ho Family Foundation research grant in the amount of $150,000. She was also awarded a $50,000 curatorial research fellowship from the Andy Warhol Foundation for the Visual Arts. What is Sivanesan working on and why? Hint: it’s infinitely vast with neither a beginning nor an end. Therefore, let’s start with the present moment…
In anticipation of the Art Gallery of Greater Victoria’s building renewal project, our Collections team are faced with the mammoth task of preparing over 20,000 art pieces to be packed up. Allowing our visitors a peek behind the scenes, the LAB Gallery has been transformed into a staging area for the packing up…
In preparation of a future exhibition on Buddhism and contemporary art practices at the AGGV, this issue’s Art Terms post will focus on terms and names associated with this ancient system of beliefs.
Perhaps it comes as no surprise that women are now, more than ever, breaking into the traditionally male-dominated role as art collector and patron.
Ensô painted by the accomplished, 20th century, Zen master Inaba Shinden depicts a symbol central to Zen meditative practice. The ensô, meaning “circle”, is one of the most common subjects of Japanese calligraphy.
Did you know that tea is the most widely consumed beverage in the world after water? Tea is believed to have been drunk in China since the Shang dynasty (1700-1027 BC) and may have begun as a medicinal tonic.
As a follow-up on our previous Art Terms For Beginners post where we demystified European art terms, this post will look at terminology specific to Asian art.
In July, Curator Emeritus Barry Till led the curator’s tour of Remembering A Patron: Asian Art Donations from Dr Judith Patt, to a room full of Asian art enthusiasts and friends of the late Judith Patt.
1. The famed blue and white wares of the Ming dynasty (1368-1644) has its origins in the preceding Mongol-ruled Yuan dynasty (1279-1368) when Chinese potters were free from imperial obligation to experiment in new designs and methods of porcelain production.