We’re thrilled to be hosting As waters merge – swaying waves beckoning us closer. This exhibition was guest-curated by Camille Georgeson-Usher, a Coast Salish / Sahtu Dene / Scottish scholar, curator, and writer from Galiano Island, BC who is currently Assistant Professor of Modern and Contemporary Indigenous Art at the University of British Columbia, and the Audain Senior Curatorial Advisor on Indigenous Art at the Vancouver Art Gallery.
You are warmly invited to visit with some of the many families represented in the permanent collection. Drawn from recent acquisitions, Family Visits, co-curated by Toby Lawrence, AGGV Curator of Contemporary Art and Dr. Heng Wu, AGGV Curator of Asian Art, explores varied ideas of kinship through pieces created by over 40 artists who work across a range of geographies and genres, including drawing, painting, photography, print-making, textiles, and sculpture. At some points the familial connections are very conventional, such as the portrait of AGGV’s first director Colin Graham with his son James, drawn by Myfanwy Pavelic whose Spencer family donated the mansion currently housing the Gallery. But considerations of family in this exhibition expand well beyond immediate relations to reflect on the networks of support found in local communities, diasporas, plants, animals, and ancestors.
In a recent and inspiring exchange, we had the pleasure of corresponding with the renowned Canadian artist, Meryl McMaster, delving into the intricate layers of her artistic practice and exploring the depth and creativity behind the exhibition, “Meryl McMaster: Bloodline”, currently on view at the Art Gallery of Greater Victoria.
Boasting a lineup of 165 artists showcasing their diverse talents, food vendors offering a variety of culinary delights, community booths providing engaging information and resources, and interactive Imagination Stations designed to inspire creativity, it’s no surprise that more than 50,000 visitors flocked to Moss Street once again for the 36th annual Art Gallery Paint-In, transforming the event into a vibrant hub of artistic expression and community celebration.
We had the pleasure of getting a first-hand look at Emilio Rojas’ process while recently hosting the artist for a residency at the AGGV. The first boundary is the flesh is a three-channel video performance installation by artist Emilio Rojas commissioned by the AGGV as part of the exhibition, “Architectures of Protection”, on view until October 26, 2025.