What Artists Bring to the Table gives individuals a chance to actually take part in non-traditional art practices, and explore how art can intersect with all forms of life.
My mom doesn’t talk much about what it was like to grow up in Vietnam anymore, and I’ve come to accept that this is a part of our history.
Opening at the Gallery in June is a body of new work by Victoria-based artist Megan Dickie. Blue Skies features video and sculpture installation that resist easy interpretations.
The exhibition Minimalism: Space. Light. Object. featured more than 150 works by artists from Europe, America, Australia and Asia, with the intention to document the history of this art movement that continues to inform the visual arts and contemporary practitioners today.
As a photographer, installing Fiona Tan: Ascent gave me the chance to think about images and videography in a new light, you know… to step back, reconsider and reimagine. Spending time with Fiona Tan’s work this week has broadened my understanding of the collective importance of Mount Fuji and I am humbled to have been a part of this exhibit. – Corey Bryson, AGGV Preparator/Technician.
Reflecting on the experience, thus far, working on Haema Sivanesan’s project, In the Present Moment: Buddhism, Contemporary Art, and Social Practice, and, learning what it means to be a curator.
In the 1950s, Mark Tobey, a Seattle artist with strong ties to Victoria, championed the work of Japanese-American artists, including Paul Horiuchi, also represented in AGGV’s collection. He later influenced major artists such as Jackson Pollock. As such, he’s a link between Buddhism and 20th Century abstract art.
AGGV Curator Haema Sivanesan is a recent recipient of a Robert H. N. Ho Family Foundation research grant in the amount of $150,000. She was also awarded a $50,000 curatorial research fellowship from the Andy Warhol Foundation for the Visual Arts. What is Sivanesan working on and why? Hint: it’s infinitely vast with neither a beginning nor an end. Therefore, let’s start with the present moment…
The Art Gallery of Greater Victoria is honoured to present Fiona Tan’s Ascent. This montage film is entirely made up of still photographic images depicting one of Japan’s most recognizable landmarks, Mount Fuji.
Ensô painted by the accomplished, 20th century, Zen master Inaba Shinden depicts a symbol central to Zen meditative practice. The ensô, meaning “circle”, is one of the most common subjects of Japanese calligraphy.
What’s really happening when people encounter art? How does it affect them? It’s a mystery researchers have pondered for centuries.
Geometry can be felt in the balance of a canoe prow and measured in each loop of a cedar bark basket. More prominently, it can be seen in the distinctive ornamentation painted upon sculptures and weavings alike. – India Young, guest writer for the exhibition Beyond the Edges The AGGV’s exhibition Beyond the Edges: Art […]
In our last issue of the emagazine, our article “Powerful Stories Close To Home” related how pairings and groups of artworks in the exhibition Close To Home complemented each other. By viewing these groupings of works in tandem, new ways of understanding and appreciating them were conceived. The Curator’s Tour on June 6 reiterated some […]
“Perhaps mine is “environmental” sculpture, rather than geometric…I have never made anything not closely connected with the human being and his environment. Man and his longings, desires, his dwellings, the thresholds he passes over and his places of worship concern me; people, buildings, entrances through which people go in, come out; and the apprehension, the […]