When the print media became a preferred medium for many First Nations artists, the artists practicing in the Northwest Coast developed a distinctive aesthetic culture that grew over the past 60 years. This is what is generally termed Coast Salish art.
Matriarchs: Prints by First Nations Women is an exhibition that aims to build relationships with First Nations artists and is guest-curated by Margaret August, a Two-Spirited, Coast Salish artist from Shíshálh Nation.
The first exhibition tour of Form As Meaning: First Nations Prints from the Pacific Northwest was led by AGGV’s Michelle Jacques, Chief Curator and Nicole Stanbridge, Curator of Engagement. While Michelle and Nicole facilitated the tour and the organization of the exhibition, the works on display were selected by a panel of Indigenous guest co-curators: Marcia […]
The language, history and current state of First Nations prints make up the theme of the AGGV’s newest exhibition Form As Meaning: First Nations Prints from the Pacific Northwest. For centuries, First Nations artists from the Pacific Northwest have developed a visual language made up of shapes, lines and colours that can be seen in […]
“Perhaps mine is “environmental” sculpture, rather than geometric…I have never made anything not closely connected with the human being and his environment. Man and his longings, desires, his dwellings, the thresholds he passes over and his places of worship concern me; people, buildings, entrances through which people go in, come out; and the apprehension, the […]
The AGGV’s latest exhibition Close To Home evokes many reactions, as the viewer moves from one room to another. The exhibition is hung, more or less, in chronology. However, the works have been purposefully positioned such that the viewer sees connections between works. Some of these links are obvious, and others less so. This is where […]