When the print media became a preferred medium for many First Nations artists, the artists practicing in the Northwest Coast developed a distinctive aesthetic culture that grew over the past 60 years. This is what is generally termed Coast Salish art.

1. When the print media became a preferred medium for many First Nations artists, the artists practicing in the Northwest Coast developed a distinctive aesthetic culture that grew over the past 60 years. This is what is generally termed Coast Salish art.

2. Although there were many different dialects spoken, the shared linguistic traits and the geography of the Salish communities (Olympic Peninsula, Seattle, Vancouver, Vancouver Island) created a visual vernacular based on common understanding. Each cultural group created their own distinct objects and images, but the iconographies were related aesthetically.

Charles Elliot (Canadian, Coast Salish) | Seals | 1982 | serigraph | Gift of George & Lola Kidd (2008.003.056)

3. Coast Salish designs are made up of particular shapes including crescents, extended crescents, ovals (or circles) and trigons. The seals in the print above by Charles Elliott are embellished with all these shapes.

4. Formline is a term coined by art historian Bill Holm in 1965 to describe the fluid abstractions of Northern coastal designs, including the types of lines, symmetrical forms, and the ovoid, a shape particular to formline. The primary formline is considered the main continuous outline that creates the shape of the main subject matter.

Susan A. Point | Connections | 2005 | etching and coloured inks on paper | Gift of the Artist (2007.025.001.1)

5. The use of positive and negative spaces, instead of outlines, is a distinctive part of Coast Salish art. The negative space is the interior background of the formline, which may be the same colour as the background medium, for example white if it is on white paper, or brown if the composition were on wood. The print above by Susan Point clearly illustrates the use of positive and negative spaces.

6. The Thunderbird is a legendary creature found in the history, art and songs of many Indigenous cultures. A supernatural being of power and strength, the Thunderbird carries with him, thunder and lightning and hunts Killer Whale. In certain cultures, the Thunderbird is also considered to be the messenger of the Sun.

Patrick Amos | Thunderbird & Sun | 1977 | serigraph | Gift of Rosita Tovell (1996.027.001)

7. The Orca or Whale symbolizes kindness, family values and unity because of their nature of living in pods or family groups.

8. The Bear is a symbol of family and strength as characterized by motherhood and the mother bear’s strong instinct to protect her cubs.

9. As Salmon is a primary food source of the peoples of the Northwest Coast, it features in their art to symbolize abundance, wealth and prosperity. As supernatural beings, Salmon are revered and celebrated for giving up their life to feed the people.

Richard Hunt | Kwagulth Loon | 1986 | serigraph on paper | Gift of Rosita Tovell (1996.027.022)

10. The Loon is considered to be a messenger of the land. According to legends of several Coast Salish nations, after the great flood, Loon was sent out to look for dry land and returned with a willow branch, indicating that the flood was receding and dry land found.

Feature image: John Livingstone | Stone Man with his Sisiult Canoe | 1978 | serigraph | Gift of Rosita Tovell (1998.050.001)