Steven McNeil, AGGV Chief Curator & Director of Collections and Exhibitions, shares much anticipated news about the Gallery’s permanent collections and the diverse selection of works to be exhibited in two newly dedicated Gallery spaces. The ongoing exhibition, A View From Here: Reimagining the AGGV Collections, will boast a rotating selection of some of the Gallery’s finest pieces.
AGGV Membership and Donor Services Coordinator, Tony Adams, reminds us of all the ways AGGV Membership connects our community to the arts, and gives us opportunities to celebrate art together.
Steven McNeil, AGGV Chief Curator & Director of Collections and Exhibitions, explains the difference in meaning of the terms “Nude” and “Naked” in art history.
Always interested in biographies of settler women in the Province, I had opportunities to exhibit Sophie Pemberton’s work but never enough time to conduct in-depth research on a woman that I felt had been partially miscast and become stereotyped.
Steven McNeil joined the AGGV as the Curator of Historical & Canadian Art in October 2022 – a brand new position in the curatorial department, so we’re excited to get to know him more in an interview!
By Dr. Laurie Dalton.
In exhibitions, press, and films about the artist, there has long been an emphasis on the fact that Maud Lewis never travelled far from the Yarmouth-Digby-Marshalltown corridor in western Nova Scotia. That she was a happy-go-lucky folk painter, not artistically trained, and one that merely painted “happy little pictures” for passers-by and tourists. This does not give much room for looking at her paintings as objects of art, and as being part of the wider economic, social, and visual culture of the time – which is the focus of the book.