Beyond The Walls: Art as a Complex Social Effort
Although not always visible, the AGGV is often supporting ongoing projects that extend well beyond its walls. One such project is Wa’witłala: The Pervasiveness of Water/Cannot Go Against the Tide.
Although not always visible, the AGGV is often supporting ongoing projects that extend well beyond its walls. One such project is Wa’witłala: The Pervasiveness of Water/Cannot Go Against the Tide.
Video installations by artists Rachel Echenberg, Kerri Flannigan, Farheen HaQ, Elisa Harkins, Lisa Jackson, Tiffany Joseph, Chase Joynt, Amanda Strong and Nicholas Vandergugten, invite us to reflect on the different ways in which we might think about tenderness.
Persimmon Blackbridge is an innovative Canadian artist, writer, and activist, who rocked Vancouver in the early 80’s with ground-breaking works exploring lesbian sexual politics, disability culture and mental health.
By Regan Shrumm, AGGV Assistant Curator
Listener-in-Residence is a collaborative project between the Art Gallery of Greater Victoria and the Luther Court Society, a non-profit society that cares for 120 seniors through subsidized independent suites, home support, assisted living, and long-term care. It is a four-month artist residency featuring emerging Victoria-based artist Libby Oliver.
This convening brings together professional artists, practising Buddhists, and scholars from a range of disciplines to better understand Buddhist influences in contemporary art in North America.
Enter the darkened Centennial Gallery at the AGGV and vicariously experience what it would be like to travel as a virtual camera moving around the sculptural looping installation that has been constructed out of tubular steel in the centre of the room. Film Path/Camera Path with under-titles is a conceptual multi-media artwork that combines the moving images of film with a sculptural expansion of a 35mm projector.
The artists involved in Imagining Fusang: Exploring Chinese and Indigenous Encounters were invited for a panel discussion in early July, where they revealed the motivation behind their individual interest in the concept of Fusang.
By Regan Shrumm, AGGV Assistant Curator
What Artists Bring to the Table gives individuals a chance to actually take part in non-traditional art practices, and explore how art can intersect with all forms of life.
By Y Vy Truong, Guest Writer
My mom doesn’t talk much about what it was like to grow up in Vietnam anymore, and I’ve come to accept that this is a part of our history.
Opening at the Gallery in June is a body of new work by Victoria-based artist Megan Dickie. Blue Skies features video and sculpture installation that resist easy interpretations.