Although not always visible, the AGGV is often supporting ongoing projects that extend well beyond its walls. One such project is Wa’witłala: The Pervasiveness of Water/Cannot Go Against the Tide.
By Audrey Wang, AGGV Volunteer
Gathered in the Tender Works exhibition gallery in a large circle were the artists – Tiffany Joseph, Farheen Haq, Kerri Flannigan and Chase Joynt – their friends and other visitors. The family, as well as one’s lineage, was a pertinent theme of the evening, even as the question posed to the artists related to the exhibition title: Where does the tenderness come from?
Nicole Stanbridge, AGGV Curator of Engagement, visited the Banff Centre for the Arts in October to meet artists participating in the EARTHED residency.
Over the past few years, we’ve been building a dialogue and creating a verbal infrastructure that will support the weight of a hefty topic: the future of the Art Gallery of Greater Victoria.
For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV relied on an esteemed panel of four Indigenous curators who had chosen the works and created the didactic panels for the show. AGGV curators Michelle Jacques and Nicole Stanbridge explained how they invited Marcia Crosby, Lou-ann Neel, lessLIE and Alana […]
The AGGV is excited to present OFFSITE | INSIGHT, a new Gallery series in collaboration with the arts community. Presented in offsite locations around Victoria, connecting with local communities, environments, and artists from the region. The inaugural event kicked off in April with a Forest Exploration with Jens Wieting, Forest and Climate Campaigner with Sierra Club […]
We live in a technological age where identity theft is easier than ever. The fear that someone could be stealing your personal information makes for diligent protective measures and the tightening of security on personal devices and social media accounts. Social sharing can be very beneficial and it’s often instrumental in building dynamic online communities […]
The first exhibition tour of Form As Meaning: First Nations Prints from the Pacific Northwest was led by AGGV’s Michelle Jacques, Chief Curator and Nicole Stanbridge, Curator of Engagement. While Michelle and Nicole facilitated the tour and the organization of the exhibition, the works on display were selected by a panel of Indigenous guest co-curators: Marcia […]
Since June 2016, the Communities + Collections series has been hosting a community conversation called “The Gallery as Authority?”. The question mark in the title is significant. It challenges both the institution and its audience to think about the Gallery’s role in today’s ever-changing social and political landscape. This season’s installment takes on the theme […]
Pictured above: Gwenda Morgan (1908-1991) | The Two Houses |1967 | wood engraving | Gift of the Artist Wandering through Water Work Space, the visitor will quickly realize that this is not a typical exhibition in an art gallery. This was one of the first things that Curator of Engagement, Nicole Stanbridge, pointed out in […]
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
Curator of Engagement, Nicole Stanbridge, shares insight on her favourite new piece from our collection: “I chose a recent acquisition to our permanent collection by Vancouver-based artist Brendan Lee Satish Tang. Pictured above, Manga Ormolu Ver. 5.0 (purchased with the support of the Canada Council for the Arts Acquisition Grants program and the George and Lola […]
The artists – Angela Teng, Shelley Penfold (featured above) and the Bomford family comprising father Jim and sons Cedric and Nathan – started the January 14 event by autographing exhibition catalogues prominently displayed at the Gallery’s front foyer.