Emily Carr’s works compare and contrast with the works of David Milne, Lawren Harris, A.Y. Jackson, Vera Weatherbie and many others, giving the viewer a chance to come to terms with the meanings behind the paintings and the artists’ take on exploring the varied landscapes of Canada.
For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV relied on an esteemed panel of four Indigenous curators who had chosen the works and created the didactic panels for the show. AGGV curators Michelle Jacques and Nicole Stanbridge explained how they invited Marcia Crosby, Lou-ann Neel, lessLIE and Alana […]
We live in a technological age where identity theft is easier than ever. The fear that someone could be stealing your personal information makes for diligent protective measures and the tightening of security on personal devices and social media accounts. Social sharing can be very beneficial and it’s often instrumental in building dynamic online communities […]
Following on “The Gallery As Authority: Place“, Part 3 of the Communities + Collections series, entitled “Re-search” explored the complexity of how knowledge is shared, collected, and used to empower and/or disenfranchise. The event in early February drew a crowd from all walks of life and was graced by our two Indigenous keynote speakers, Eli Hirtle […]
The first exhibition tour of Form As Meaning: First Nations Prints from the Pacific Northwest was led by AGGV’s Michelle Jacques, Chief Curator and Nicole Stanbridge, Curator of Engagement. While Michelle and Nicole facilitated the tour and the organization of the exhibition, the works on display were selected by a panel of Indigenous guest co-curators: Marcia […]
We had a little Party for Our People on September 21. DJ Yake and M’pendo brought a mix of African Music, Reggae, Hip Hop and Funk to the evening. It was one last kick at a summer soiree, and the atmosphere was warm and celebratory. The event focused on the body of work produced by local […]
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
In our last issue of the emagazine, our article “Powerful Stories Close To Home” related how pairings and groups of artworks in the exhibition Close To Home complemented each other. By viewing these groupings of works in tandem, new ways of understanding and appreciating them were conceived. The Curator’s Tour on June 6 reiterated some […]
The strong verticals of Tim Paul’s cedar totem carving resonate next to Sybil Andrew’s print of Western Red Cedar. This was the reason behind Curator Michelle Jacques’s placement of the two artworks side-by-side in the exhibition, Close To Home. The visual impact and the difference in colour tonality draw the eye from one to the other. […]
The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]
What’s in a collection? Michelle Jacques on Moving Forward by Looking Back: The First 30 Years of Collecting Art at the AGGV.