By Marina DiMaio, Digital Potentials Advisory Coordinator
Sometimes the projects that we do at the AGGV do not always ‘fit’ within the standard white-cubed gallery spaces you will find in our building on Moss Street. Sometimes our curatorial projects take place in remote communities, deep in the basement archives, in collaboration with other arts institutions, or in this case, within a kind of algorithmic museum!
Emily Carr’s works compare and contrast with the works of David Milne, Lawren Harris, A.Y. Jackson, Vera Weatherbie and many others, giving the viewer a chance to come to terms with the meanings behind the paintings and the artists’ take on exploring the varied landscapes of Canada.
By Audrey Wang, AGGV Volunteer For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV […]
We live in a technological age where identity theft is easier than ever. The fear that someone could be stealing […]
Following on “The Gallery As Authority: Place“, Part 3 of the Communities + Collections series, entitled “Re-search” explored the complexity of […]
By Audrey Wang, AGGV Volunteer The first exhibition tour of Form As Meaning: First Nations Prints from the Pacific Northwest […]