By Marina DiMaio, Digital Print Assets Coordinator
There are many layers involved in creating meaningful out-of-the-box gallery programs – layers that are steeped in relationship building with artists and local communities. We are thrilled to be launching a brand new podcast that we hope will offer our audiences a bit more transparency of process and insight from behind the scenes!
By Marina DiMaio, Digital Potentials Advisory Coordinator
Sometimes the projects that we do at the AGGV do not always ‘fit’ within the standard white-cubed gallery spaces you will find in our building on Moss Street. Sometimes our curatorial projects take place in remote communities, deep in the basement archives, in collaboration with other arts institutions, or in this case, within a kind of algorithmic museum!
Vancouver-based artist Howie Tsui (Tsui Ho Yan / 徐浩恩) is currently in the process of installing Retainers of Anarchy at the AGGV. In anticipation of the opening, on June 12, Tsui spoke with us about his art practice in an e-interview.
By Marina DiMaio, Digital Potentials Advisory Coordinator
Beginning in the summer of 2020, and with the assistance of a Canada Council for the Arts Digital Literacy and Intelligence grant, the AGGV established a cyber support community to assist with the gallery’s increasing need for digital support and guidance as it undertakes a longterm experimental digital project that further considers the connections between digital literacy and curatorial thinking, and how these connections might be applied.
By Marina DiMaio, AGGV Marketing Assistant
In our ongoing celebration of the AGGV’s striking ceramics collection, we searched high and low for some of our wildest ceramics. Get ready to discover some of the incredibly inventive ways the artists in our collection have reimagined and reinvigorated this essential, and innately transformable, material, of earth and water – taking us “back to the land”, through “the ills of the city”, and far off into the future!
By Marina DiMaio, AGGV Curatorial Assistant
Dylan Thomas’s work has been deeply influenced by a lifelong passion for Northwest Coast art, as well as, Vajrayana Buddhist mandalas, Celtic knots, Islamic tessellations, and many other ancient geometric art traditions.
By Marina DiMaio, AGGV Curatorial Assistant
Horiuchi was a painter and collagist whose work has become an important hybrid of Western-style abstraction, Asian calligraphy, and eastern philosophies. His body of work has helped situate an alternative narrative to the development of modern art in the Pacific Northwest, one that fully considers Japanese and North American relations.
By Marina DiMaio, Curatorial Assistant
Reflecting on the experience, thus far, working on Haema Sivanesan’s project, In the Present Moment: Buddhism, Contemporary Art, and Social Practice, and, learning what it means to be a curator.