By Audrey Wang, AGGV Volunteer
December 13th, 2021, marks the 150th anniversary of Emily Carr’s birth. Beyond this commemoration, the AGGV’s exhibition Emily Carr: Seeing + Being Seen features artworks that carry significance that is as relevant today as they were nearly a century ago when they were first made.
By Mel Granley, Guest Curator
Emily Carr has become almost synonymous with the Pacific Northwest; her work being displayed year-round in different exhibition contexts to ensure the satisfaction of visitors to the AGGV. This drive to see her work is directed by the idea of checking off a list of great and thoroughly known artists within the artistic canon. The issue? The “art canon” is heavily Euro-Western centered and very keenly demonstrates a bias for settler-European art, while largely failing to acknowledge the artistic merits of historic and contemporary BIPOC artists.
by Audrey Wang, AGGV Volunteer
Wandering along narrow Fan Tan Alley in Victoria’s Chinatown, you might come across a nondescript door with the name “HOWARTH” on it. This was the artist Glenn Howarth’s studio, where in 1987, he founded the Victoria Drawing Academy.
Botanical art illustration brings together art and science, with artists aiming to accurately depict the visual characteristics of plant and flower species, while producing an image that is pleasing.
Let’s test your knowledge of music and art through works in the AGGV!
The theme of our art quiz is religious and mythological iconography. Let’s see what you recall from stories you listened to as a child!