Cultural Appropriation of First Nations Art
We live in a technological age where identity theft is easier than ever. The fear that someone could be stealing […]
Formline: Geometric Art in Pacific Northwest Prints
By Audrey Wang, AGGV Volunteer Geometry can be felt in the balance of a canoe prow and measured in each […]
The Gallery As Authority, Part 3: Re-search
Following on “The Gallery As Authority: Place“, Part 3 of the Communities + Collections series, entitled “Re-search” explored the complexity of […]
Exploring Nuu-chah-nulth Lands
By Audrey Wang, AGGV Volunteer The exhibition Point of Contact: On Place and the Westcoast Imaginary centers on a pertinent part of […]
Making Connections in “Form As Meaning”
By Audrey Wang, AGGV Volunteer The first exhibition tour of Form As Meaning: First Nations Prints from the Pacific Northwest […]
Behind The Scenes at the Gallery
Each year, the AGGV rotates through about 14 exhibitions in its seven galleries. This keeps our Collections team very busy […]
Form As Meaning: First Nations Prints from the Pacific Northwest
By Audrey Wang, AGGV Volunteer The language, history and current state of First Nations prints make up the theme of […]
Fun @ Family Sunday
By Audrey Wang, AGGV Volunteer After a 3-month hiatus over the summer, Family Sunday at the AGGV resumed with much […]
Water Work Space
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
Point of Contact: On Place and the West Coast Imaginary
By Audrey Wang, AGGV Volunteer I hope the viewer will leave the exhibition with an understanding of how the idea […]