Asian Art Collection

Say What? Art Terms For Beginners, Part 7

In preparation of a future exhibition on Buddhism and contemporary art practices at the AGGV, this issue’s Art Terms post will focus on terms and names associated with this ancient system of beliefs.

The Yin of Art Collecting

by Audrey Wang, AGGV Marketing Volunteer

Perhaps it comes as no surprise that women are now, more than ever, breaking into the traditionally male-dominated role as art collector and patron.

Ensô: Inaba Shinden’s Perfect Meditative State

By Jenelle Pasiechnik

Ensô (featured image above) painted by the accomplished, 20th century, Zen master Inaba Shinden depicts a symbol central to Zen meditative practice. The ensô, meaning “circle”, is one of the most common subjects of Japanese calligraphy.

A Global Tea Party

By Audrey Wang, AGGV Marketing Volunteer

Did you know that tea is the most widely consumed beverage in the world after water? Tea is believed to have been drunk in China since the Shang dynasty (1700-1027 BC) and may have begun as a medicinal tonic.

A Legacy of Asian Art

In July, Curator Emeritus Barry Till led the curator’s tour of Remembering A Patron: Asian Art Donations from Dr Judith Patt, to a room full of Asian art enthusiasts and friends of the late Judith Patt.

10 Things You Should Know About Chinese Blue and White Porcelain

1. The famed blue and white wares of the Ming dynasty (1368-1644) has its origins in the preceding Mongol-ruled Yuan dynasty (1279-1368) when Chinese potters were free from imperial obligation to experiment in new designs and methods of porcelain production.

Barry Till Travels to Cambodia

By Charlene Brown, Gallery Associate

Barry Till, the Gallery’s Asian Art Curator Emeritus, was guest speaker at the May Gallery Associates’ meeting. He spoke about the archaeology of the Khmer Empire, concentrated on the most famous site at Angkor.

Remembering A Patron: Asian Art Donations from Dr. Judith Patt

By Betsy Tumasonis

Judy Patt was a stalwart supporter of the Art Gallery of Greater Victoria for decades, contributing time, expertise, money, and works of art.  She frequently delivered public lectures on Asian art at the Gallery. She co-curated the exhibition, “The World Tea Party”, in 2004.