Widely considered to be some of the most important Canadian artists in the early 20th century, the Group was an organization of self-proclaimed modern artists, pioneers to a new Canadian art movement that rallied against the conservatism of the time.
Emily Carr’s works compare and contrast with the works of David Milne, Lawren Harris, A.Y. Jackson, Vera Weatherbie and many others, giving the viewer a chance to come to terms with the meanings behind the paintings and the artists’ take on exploring the varied landscapes of Canada.
Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]
“Perhaps mine is “environmental” sculpture, rather than geometric…I have never made anything not closely connected with the human being and his environment. Man and his longings, desires, his dwellings, the thresholds he passes over and his places of worship concern me; people, buildings, entrances through which people go in, come out; and the apprehension, the […]