Currently on show at the AGGV is Collecting & Connecting: Recent Asian Art Acquisitions. It is the first exhibition curated by Dr. Heng Wu as the new Asian Art Curator at the Gallery. We speak to her about this show, the impact of the COVID-19 pandemic on the logistics of display and her vision for the AGGV’s Asian art collection.
by Audrey Wang, AGGV Marketing Volunteer
Perhaps it comes as no surprise that women are now, more than ever, breaking into the traditionally male-dominated role as art collector and patron.
In July, Curator Emeritus Barry Till led the curator’s tour of Remembering A Patron: Asian Art Donations from Dr Judith Patt, to a room full of Asian art enthusiasts and friends of the late Judith Patt.
By Charlene Brown, Gallery Associate
Barry Till, the Gallery’s Asian Art Curator Emeritus, was guest speaker at the May Gallery Associates’ meeting. He spoke about the archaeology of the Khmer Empire, concentrated on the most famous site at Angkor.
By Betsy Tumasonis
Judy Patt was a stalwart supporter of the Art Gallery of Greater Victoria for decades, contributing time, expertise, money, and works of art. She frequently delivered public lectures on Asian art at the Gallery. She co-curated the exhibition, “The World Tea Party”, in 2004.
By Barry Till, AGGV Curator Emeritus
The AGGV Asian art department has received a large number of very important donations this past year. These include a fine collection of ancient ceramics from China, Thailand and Vietnam, from the Estate of the late Canadian Ambassador to Indonesia, William Thomas Delworth; eight impressive and large 18th century Japanese painted six-panel screens of landscapes and calligraphy (one of which was done by one of Japan’s most famous female calligraphers) from Paul Warner of Victoria; Japanese calligraphy scrolls, numerous Okinawan folk ceramics and a very rare Miao painting album (Cultural Property status) from Dr. and Mrs. Richard and Kazuo Pearson of UBC.
As Barry Till recently announced his retirement as the Curator of Asian Arts, AGGV staff had some burning questions about his 36-year tenure at the Gallery and his travels throughout Asia. Here’s the nitty gritty: 1) Why art – what led you down this path? BT: My first choice for a career would have been to […]
Pictured above: Praying monk | Burma (Myanmar) | wood, lacquer, gilt pigment, glass | ht. 33.2 cm. | Harold and Vera Mortimer-Lamb Bequest, AGGV 1980 Victoria’s geographical location makes it Canada’s closest city to the Far East, so it seems fitting that the Art Gallery of Greater Victoria should have one of the country’s most distinguished Far […]
Collecting is often regarded as a fundamental and universal human instinct and an activity shared by all cultures around the globe. The history of collecting has been written in great detail by many scholars, and include the cultures of ancient Greece and Rome, medieval and Renaissance Europe, Edo Japan, the Ming and Qing dynasties of […]
The exhibition and publication of Millennia: Asian Art through the Ages was planned to present some of the finest and most interesting Asian works of art in the collection of the Art Gallery of Greater Victoria, to reveal to the general public the essence and unique artistic achievements of the various civilizations of Asia.