By Audrey Wang, AGGV Volunteer
Celebrating the AGGV Collection brings together the highlights in the AGGV’s permanent collection of artworks, bringing into perspective the breadth and depth of the Gallery’s holdings.
This year’s New Extreme Program involved 3 groups of insightful, creative and inspiring youth who created inquiry projects with 3 local artists. They had to stop just short of completion, due to COVID 19. Here is a sense of the important work they did together, in their own words.
By Regan Shrumm, AGGV Curatorial Assistant
Since November 2019, Victoria-based artist Libby Oliver has been the Listener-in-Residence at Luther Court Society, a non-profit society that cares for 120 seniors through subsidized independent suites, home support, assisted living, and long-term care. Before Oliver’s residence ends with a public open house in May, Assistant Curator Regan Shrumm sat down with Oliver to share more about her art practice and the residence.
Nicole Stanbridge, AGGV Curator of Engagement, visited the Banff Centre for the Arts in October to meet artists participating in the EARTHED residency.
Encounter is a quarterly event developed by the AGGV Education Department to enhance learning and social opportunities for adults who love art and love talking about art. Participants discover new ideas and connections to art and through art, within the context of an exhibition on show at the Gallery.
As a photographer, installing Fiona Tan: Ascent gave me the chance to think about images and videography in a new light, you know… to step back, reconsider and reimagine. Spending time with Fiona Tan’s work this week has broadened my understanding of the collective importance of Mount Fuji and I am humbled to have been a part of this exhibit. – Corey Bryson, AGGV Preparator/Technician.
The Art Gallery of Greater Victoria is honoured to present Fiona Tan’s Ascent. This montage film is entirely made up of still photographic images depicting one of Japan’s most recognizable landmarks, Mount Fuji.
Mike Andrew McLean’s photographic works in Supernatural: Art, Technology and the Forest exude a sense of mystery and eeriness. But the truth is not too far off the viewer’s first impressions, because what is documented on film is essentially a ghost town.