Photography

Q & A with Libby Oliver, AGGV’s Listener in Residence

By Regan Shrumm, AGGV Curatorial Assistant

Since November 2019, Victoria-based artist Libby Oliver has been the Listener-in-Residence at Luther Court Society, a non-profit society that cares for 120 seniors through subsidized independent suites, home support, assisted living, and long-term care. Before Oliver’s residence ends with a public open house in May, Assistant Curator Regan Shrumm sat down with Oliver to share more about her art practice and the residence.

Encounter: Exploring & Art-Making at the AGGV

Encounter is a quarterly event developed by the AGGV Education Department to enhance learning and social opportunities for adults who love art and love talking about art. Participants discover new ideas and connections to art and through art, within the context of an exhibition on show at the Gallery.

The Art of the Install

As a photographer, installing Fiona Tan: Ascent gave me the chance to think about images and videography in a new light, you know… to step back, reconsider and reimagine. Spending time with Fiona Tan’s work this week has broadened my understanding of the collective importance of Mount Fuji and I am humbled to have been a part of this exhibit. – Corey Bryson, AGGV Preparator/Technician.

In Conversation with Fiona Tan

The Art Gallery of Greater Victoria is honoured to present Fiona Tan’s Ascent. This montage film is entirely made up of still photographic images depicting one of Japan’s most recognizable landmarks, Mount Fuji.

Jordan River – Mike Andrew McLean’s Ghost Town Photos

Mike Andrew McLean’s photographic works in Supernatural: Art, Technology and the Forest exude a sense of mystery and eeriness. But the truth is not too far off the viewer’s first impressions, because what is documented on film is essentially a ghost town.

The Aesthetic Perceptions of Art

By Jon Tupper, AGGV Director

What’s really happening when people encounter art? How does it affect them? It’s a mystery researchers have pondered for centuries. Here at the Gallery, I think of visitors regarding Emily Carr’s towering west coast forests; or an intricate Japanese print; or the ghostly digital trees in an installation such as Kelly Richardson’s The Erudition, which appears in our current show Supernatural: Art, Technology and the Forest.

Water Work Space

Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.

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