Video

ENCOUNTERS WITH MATTER AND MATERIAL CULTURE IN OUR GLOBALIZED WORLD

On now at the Art Gallery of Greater Victoria, visitors can explore a survey of recent works by artist Simranpreet Anand, including collaborative artworks with artist and ethnomusicologist Conner Singh VanderBeek in the current exhibition ਸ਼ੀਸ਼ੇ ‘ਚ ਤਰੇੜ |, sheeshe ‘ch thareṛ |: a crack in the mirror.

Emilio Rojas: The first boundary is the flesh

We had the pleasure of getting a first-hand look at Emilio Rojas’ process while recently hosting the artist for a residency at the AGGV. The first boundary is the flesh is a three-channel video performance installation by artist Emilio Rojas commissioned by the AGGV as part of the exhibition, “Architectures of Protection”, on view until October 26, 2025.

Graphic poster in red and yellow with the title Brillo Box (3 ¢ off) overlaid.

Brillo Box (3¢ off) Documentary

Brillo Box (3¢ off), screening in the Drury Gallery, explores the journey of an Andy Warhol sculpture from family heirloom to $3M auction piece, highlighting the evolving value of art. It complements the From Warhol to Banksy exhibition at the AGGV, running through April 27, 2025.

ICYMI – AFROQUATICS & READING LIST

In February 2024, Afroquatics: A Call and Response Below the Surface, an immersive and interactive installation by then City of Victoria Artist in Residence, Kemi Craig, sparked conversations, challenge perceptions, and transported viewers into an experiential underwater landscape.

Collaborative GIF Mosaic: Building a New Inventory

By Marina DiMaio, Digital & Print Assets Coordinator

Howie Tsui’s solo exhibition Retainers of Anarchy has come and gone from the AGGV Galleries, but the artist’s immersive storytelling environments continue to live on in a digital installation on our website — through a Collaborative GIF Mosaic!

Inspired by Tsui’s referential video collage, Threading Needles through the Pupil, previously installed in the exhibition, this Collaborative GIF Mosaic offers the opportunity for artists and anyone from the community to engage with Tsui’s interest in visual sampling, memory and nostalgia which permeate his recent media work.