When the print media became a preferred medium for many First Nations artists, the artists practicing in the Northwest Coast developed a distinctive aesthetic culture that grew over the past 60 years. This is what is generally termed Coast Salish art.
Category: Indigenous Art
To Talk With Others: A Yukon First Nations Conversation
To Talk With Others responds to the minutes of a meeting in August of 1977 between Prime Minister Pierre Elliot Trudeau and five Yukon First Nations leaders regarding the then-approved Mackenzie Pipeline.
Family Sunday Returns With a Drawing Masterclass and Camping
With the AGGV currently involved in a multitude of collaborations with artists and organizations, locally and internationally, Family Sunday kicked off the new season with amazing guest artists associated with exhibitions currently on show and in the works.
Art as a Spiritual Practice: Q&A with Dylan Thomas
By Marina DiMaio, AGGV Curatorial Assistant
Dylan Thomas’s work has been deeply influenced by a lifelong passion for Northwest Coast art, as well as, Vajrayana Buddhist mandalas, Celtic knots, Islamic tessellations, and many other ancient geometric art traditions.
Matriarchs: Prints By First Nations Women
Matriarchs: Prints by First Nations Women is an exhibition that aims to build relationships with First Nations artists and is guest-curated by Margaret August, a Two-Spirited, Coast Salish artist from Shíshálh Nation.
In Conversation: Imagining Fusang
The artists involved in Imagining Fusang: Exploring Chinese and Indigenous Encounters were invited for a panel discussion in early July, where they revealed the motivation behind their individual interest in the concept of Fusang.
Fantastic Beasts & Where to Find Them in the AGGV
The realm of mythical beasts spans every culture and exists in all our folklore. We not only find them in our intangible heritage, but also in contemporary literature, art, film, science and culture. In the AGGV’s extensive collection of European, North American, First Nations and Asian art, a menagerie of fantastic beasts reveal countless stories.
Impassioned Discourse at Communities + Collections Panel Discussion
By Audrey Wang, AGGV Volunteer For the exhibition Form As Meaning: First Nations Prints from the Pacific Northwest, the AGGV relied on an esteemed panel of four Indigenous curators who had chosen the works and created the didactic panels for the show. AGGV curators Michelle Jacques and Nicole Stanbridge explained how they invited Marcia Crosby, […]
Nature’s Bounty in a Party For Our People
By Audrey Wang, AGGV Volunteer Party For Our People is a public event celebrating the artists featured in the exhibitions at the AGGV in May 2018, three diverse yet unified shows that touch on issues pertinent to British Columbia’s major resources – the ocean and the forests. Supernatural: Art, Technology and the Forest was […]
Cultural Appropriation of First Nations Art
We live in a technological age where identity theft is easier than ever. The fear that someone could be stealing your personal information makes for diligent protective measures and the tightening of security on personal devices and social media accounts. Social sharing can be very beneficial and it’s often instrumental in building dynamic online communities […]