After a 3-month hiatus over the summer, Family Sunday at the AGGV resumed with much gusto in October! The event was well attended by families who immersed themselves in the art and environmental activities inspired by Water Work Space, the interactive, research-and-development exhibition that combines art, activism and community engagement. We were fortunate to have […]
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
I hope the viewer will leave the exhibition with an understanding of how the idea of place is subjective and culturally constructed; and to consider the role that artists have played in shaping and informing these attitudes. The exhibition looks at Nootka as a case study and traces an arc of more than 200 years. […]
The exhibition Close To Home showcases works by local artists from Victoria and the region. Indigenous artists are well represented among them, and in particular, Coast Salish artists feature prominently. Butch Dick is from the Lkwungen community, also known as the Songhees First Nations. His family roots extend into the Xw’chalth’lap community, today known as […]
The AGGV’s latest exhibition Close To Home evokes many reactions, as the viewer moves from one room to another. The exhibition is hung, more or less, in chronology. However, the works have been purposefully positioned such that the viewer sees connections between works. Some of these links are obvious, and others less so. This is where […]
The strong verticals of Tim Paul’s cedar totem carving resonate next to Sybil Andrew’s print of Western Red Cedar. This was the reason behind Curator Michelle Jacques’s placement of the two artworks side-by-side in the exhibition, Close To Home. The visual impact and the difference in colour tonality draw the eye from one to the other. […]
The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]
The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]
Our permanent collection is an important educational resource for the Gallery and it also contributes to many of our exhibitions; but, how did the collection come to be? Where did it come from? Who built it and for whom?
“Culture cannot be contained as it unfolds. My art enters this stream at many different points, looking backwards, looking forwards, generating its own sound and motion.”
The Art Gallery of Greater Victoria is committed to high quality educational programming. We launched the Teacher Resource Guide in September, and since then, our Gallery educators Sherry Willing and Jen Van de Pol have been busy facilitating 1/2 day workshops in participating schools along with guest artists Alexis Hogan and April Russell.