Supernatural: Art, Technology and the Forest takes the viewer into an immersive experience of the forest and its trees through the wonders of modern photography, video and digital art. The pairing of nature and digital technology may seem incongruous at first, but the exhibition explores new ways of viewing the forest It shows how photography […]
Party For Our People is a public event celebrating the artists featured in the exhibitions at the AGGV in May 2018, three diverse yet unified shows that touch on issues pertinent to British Columbia’s major resources – the ocean and the forests. Supernatural: Art, Technology and the Forest was newly opened on the day […]
Join us as we explore issues related to the vast and mighty topic that is WATER. Water as a resource; water as a conduit of trade, exchange, and colonization; water and climate change. The AGGV’s upcoming Water Work Space exhibition functions much like a Research and Development Department – part workshop, part exhibition space.
Established and emerging artists from the Greater Victoria area are featured in Close To Home, an exhibition that has drawn many visitors for its depth and breadth of representation. Genres and styles across cultures make for thought-provoking displays, and among them, the photographic works on show are perhaps some of the most evocative. One […]
Conceptual Art The term ‘concept art’ came into use in the early 1960s and became defined as an art movement around the late 60s. Conceptual art is a transformative art form whereby the idea (or concept) behind the work takes precedence over the actual finished artwork itself. By challenging art as an individual expression, conceptual […]
Stephen Topfer is more regularly known as the AGGV’s Manager of Collections. In an article from our March issue of the emagazine, he brought us on a behind-the-scenes look at his department in The AGGV Art Vault. With his background in photography and a BA in History, Stephen is also the curator of Mirror With […]
The AGGV’s latest exhibition Close To Home evokes many reactions, as the viewer moves from one room to another. The exhibition is hung, more or less, in chronology. However, the works have been purposefully positioned such that the viewer sees connections between works. Some of these links are obvious, and others less so. This is where […]
Montreal-based artist, Karen Tam, spent the month of May in Victoria in preparation for her exhibition at the AGGV, With wings like clouds hung from the sky 大鵬就振翼 (Seal Chop of Lee Nam installation – view pictured – above), which opens on June 3. Based on the friendship between Victoria’s iconic artist, Emily Carr, and […]
Pictured: Lynda Gammon | Studio Pictures (562 Fisgard) | 1983-1989 | Polaroid photographic prints | Purchased with the support of the Canada Council for the Arts Acquisition Grants program and the George and Lola Kidd BC Art Acquisitions Fund, 2016. Entering through the bright red door tucked amidst a bustling Asian grocery store, a Chinese bakery […]
The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]
Collecting is often regarded as a fundamental and universal human instinct and an activity shared by all cultures around the globe. The history of collecting has been written in great detail by many scholars, and include the cultures of ancient Greece and Rome, medieval and Renaissance Europe, Edo Japan, the Ming and Qing dynasties of […]
2017 marks the 75th anniversary of the uprooting, dispossession, and exile of 22,000 Japanese Canadians from the coast of British Columbia. Mirror with Memory explores the contributions of one such community through the creative lens of the Hayashi/Kitamura/Matsubuchi photo studio which operated in the town of Cumberland, BC, from 1912 through to 1942.