AGGV MEMBERSHIP: CELEBRATE WITH US!
AGGV Membership and Donor Services Coordinator, Tony Adams, reminds us of all the ways AGGV Membership connects our community to the arts, and gives us opportunities to celebrate art together.
WHAT’S IN A PHRASE? REFLECTING ON CONCEPTS OF NUDE AND NAKED THROUGHOUT ART HISTORY
Steven McNeil, AGGV Chief Curator & Director of Collections and Exhibitions, explains the difference in meaning of the terms “Nude” and “Naked” in art history.
UNEXPECTED: THE LIFE AND ART OF SOPHIE PEMBERTON (1869-1959)
Always interested in biographies of settler women in the Province, I had opportunities to exhibit Sophie Pemberton’s work but never enough time to conduct in-depth research on a woman that I felt had been partially miscast and become stereotyped.
MEET AGGV’S NEW CURATOR OF HISTORICAL & CANADIAN ART
Steven McNeil joined the AGGV as the Curator of Historical & Canadian Art in October 2022 – a brand new position in the curatorial department, so we’re excited to get to know him more in an interview!
Evoking Place: The Landscapes of Maud Lewis
By Dr. Laurie Dalton.
In exhibitions, press, and films about the artist, there has long been an emphasis on the fact that Maud Lewis never travelled far from the Yarmouth-Digby-Marshalltown corridor in western Nova Scotia. That she was a happy-go-lucky folk painter, not artistically trained, and one that merely painted “happy little pictures” for passers-by and tourists. This does not give much room for looking at her paintings as objects of art, and as being part of the wider economic, social, and visual culture of the time – which is the focus of the book.
In the Present Moment: Memories and Another Milestone!
By Marina DiMaio, Digital & Print Assets Coordinator.
Back in 2018, pretty much fresh out of grad school, I found myself at the beginning of my very first job at the Art Gallery of Greater Victoria. Through my own multidisciplinary art making, I’ve always been interested in contemplative practices, and the idea of creative process as spiritual practice. So, with the support of an Early Career Development Grant from the BC Arts Council, I had the incredible opportunity to extend and deepen the artistic research that I began exploring as an MFA student at UVic by contributing as a curatorial assistant at the AGGV to a multiphase project, by curator Haema Sivanesan, considering Buddhism as an artistic methodology.
Reflecting on National Indigenous Peoples Day
By Mel Granley, Guest Curator at the AGGV.
June is recognized as National Indigenous History Month. National Indigenous Peoples Day is a holiday celebrated in Canada every year on the 21st of June. This holiday was officially established in 1996 and is intended to “recognize the history, heritage and diversity of First Nations, Inuit, and Métis peoples in Canada” according to Canada.ca. I ask myself, what does this day mean to me? I am a Métis and Ukrainian person living in Canada, and this day brings mixed feelings of pride and concern.
Where My Heart Settles, Is Where My Home Is
By Heng Wu, Curator of Asian Art, AGGV.
A horse-drawn carriage passing the Legislative Assembly building, instantly captured in freehand-style brushwork, resonating with a festival night in China about 900 years ago recorded in a poem by the Chinese poet Xin Qiji (1140-1207). A young girl in traditional Chinese dress dancing under a maple tree, paired with a line transcribed in the seal-script calligraphy, which reads, “Where my heart settles, is where my home is.” The colorful float homes gilding Victoria’s Fisherman’s Wharf rendered in traditional Chinese ink wash with a tone of Western oil painting.