I hope the viewer will leave the exhibition with an understanding of how the idea of place is subjective and culturally constructed; and to consider the role that artists have played in shaping and informing these attitudes. The exhibition looks at Nootka as a case study and traces an arc of more than 200 years. […]
In Christian iconography, the apple symbolizes Original Sin, the fall of man and temptation. In Chinese culture, the word for apple, “ping guo”, is a homophone for the word “ping”, meaning peace or tranquility, so an apple symbolizes a wish for peace. Apples also feature prominently in Greek myths. Fruits and vegetables are depicted in […]
Conceptual Art The term ‘concept art’ came into use in the early 1960s and became defined as an art movement around the late 60s. Conceptual art is a transformative art form whereby the idea (or concept) behind the work takes precedence over the actual finished artwork itself. By challenging art as an individual expression, conceptual […]
In our last issue of the emagazine, our article “Powerful Stories Close To Home” related how pairings and groups of artworks in the exhibition Close To Home complemented each other. By viewing these groupings of works in tandem, new ways of understanding and appreciating them were conceived. The Curator’s Tour on June 6 reiterated some […]
Confused by some of the terms you find in our Gallery or on our website? We’ve created a useful alphabetical list that explains some terms based on our current exhibition programming. Stay tuned to the AGGV emagazine as this will be a regular segment – and we’ll be sure to grow that list for you! […]
Pictured above: Kristina Kudryk | Portrait of the Artist in the Guise of the Empress Loyola and Under the Spell of Maxwell Bates | oil on canvas | Gift of the Artist, AGGV 2010 Enter through the doors of the Centennial Gallery to see the AGGV’s exhibition, Close To Home, and you will be struck by […]
Pictured: Adelle Andrew | Over the Edge | undated | acrylic on canvas | 30 x 30 cm | 2015 “Adelle was a fixture at the TD Moss Street Paint-In. In her oversized red sunhat and her boldly coloured painter’s smock, she drew a crowd and had a loyal following of collectors. Her early paintings highly detailed […]
In the third installment of our Communities + Collections program which focuses on the Gallery’s Asian Art collection and coincides with the exhibition Millennia: Asian Art through the Ages, we are happy to have Yang Liu talk about “The Transformation of Landscape Representation in Chinese Art”.
Emily Carr’s repertoire of artworks covers a wide range style and content as she experimented and moved through different phases over her many years of practice. However, at the root of her entire oeuvre is an unwavering love of nature and the landscapes that surrounded her.
The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]
The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]
Collecting is often regarded as a fundamental and universal human instinct and an activity shared by all cultures around the globe. The history of collecting has been written in great detail by many scholars, and include the cultures of ancient Greece and Rome, medieval and Renaissance Europe, Edo Japan, the Ming and Qing dynasties of […]
About Face is a collection of figurative representations by local artists in the Massey Sales Gallery.
Our permanent collection is an important educational resource for the Gallery and it also contributes to many of our exhibitions; but, how did the collection come to be? Where did it come from? Who built it and for whom?
Contemporary artists Angela Teng, Shelley Penfold and Jess Willa Wheaton employ an innovative approach to mixed media. Their work simultaneously evokes curiosity and offers a destabilizing composition for the viewer.