By Audrey Wang, AGGV Volunteer
The AGGV’s collection of porcelains from the Nanking Cargo is a clear representation of the types of ceramic wares that the VOC imported in large quantities to Holland.
By Audrey Wang, AGGV Volunteer
Seals were used well over 3,000 years ago in China to authenticate official documents. They continued to be used throughout Chinese history, acting as a signature for documents, but also in paintings and calligraphies.
Nicole Stanbridge, Curator of Engagement, AGGV, interviews India Rael Young, Curator of Art and Images at the Royal BC Museum about the exhibition Emily Carr: Fresh Seeing – French Modernism and the West Coast.
“Celebrating the AGGV Collection” is currently on show at the Art Gallery, with one room devoted entirely to the Gallery’s extensive collection of drawings. Much more than just the application of pencil to paper, drawings can be both a preparatory tool and the end product of an artwork.
By Marina DiMaio, Digital Potentials Advisory Coordinator
Beginning in the summer of 2020, and with the assistance of a Canada Council for the Arts Digital Literacy and Intelligence grant, the AGGV established a cyber support community to assist with the gallery’s increasing need for digital support and guidance as it undertakes a longterm experimental digital project that further considers the connections between digital literacy and curatorial thinking, and how these connections might be applied.
By Nicole Stanbridge, Curator of Engagement
In 1850, James Douglas, an agent of the Crown, was appointed authority by the colonial office in London to establish a colony on Vancouver Island. The fourteen purchase agreements (Douglas Treaties or Vancouver Island Treaties) that Douglas completed with Vancouver Island Indigenous nations are transcribed on the Government of Canada website. These treaties are contentious and have been the subject of much discussion and research.
By Michelle Jacques, Chief Curator
This past summer, from August 20th – 30th, artists Connie Michele Morey and Taryn Walker created a site-responsive exhibition in the car shop of the Roundhouse at Bayview Place in Vic West.