How the AGGV Began: Part 4

In this concluding installment of the series, Anu Henderson delves deeper into the origins of the AGGV, highlighting Colin Graham’s dedication to enhancing the Gallery as a welcoming space for all by actively involving local stakeholders, promoting art education for the community, and advocating for a diverse range of artworks to be showcased.

A New Year Begins for the Gallery Associates

For more than seventy years, the Gallery Associates have been a key support for the Art Gallery of Greater Victoria, organizing creative fundraising events, and engaging the community, highlight the importance of cultural activities, ensuring the arts continue to thrive and inspire future generations. In this article, Lynda Philippsen, Gallery Associates Second Vice President, shares some recent successes, and elaborates on the benefits of joining their team of dedicated volunteers.

Emilio Rojas: The first boundary is the flesh

We had the pleasure of getting a first-hand look at Emilio Rojas’ process while recently hosting the artist for a residency at the AGGV. The first boundary is the flesh is a three-channel video performance installation by artist Emilio Rojas commissioned by the AGGV as part of the exhibition, “Architectures of Protection”, on view until October 26, 2025.

The AGGV Acquires a Significant Painting by Alexander Calder

The AGGV has been fortunate to receive outstanding gifts of works of art over the years, including this recent acquisition, a painting of 1965 entitled, Buoys, from Dr. Aileen P. McConnell. AGGV Chief Curator, Steven McNeil shares a brief history of this exciting acquisition.