Art & Geometry in the AGGV

Beyond the Edges, which opened in October, shines the spotlight on the order and purity of geometric lines and the media employed to produce them. This exhibition not only re-interprets the theories espoused by American art critic Clement Greenberg (1909-1994), but it questions dominant modernist art theories about abstraction, and in particular, geometric abstraction. By […]

Baxter&

A wander through the Victorian-era Spencer Mansion of the Art Gallery will inevitably lead you to an encounter with Iain Baxter&’s Still Life made from vacuum formed plastic and painted with bright turquoise acrylic. Made in 1965, this sculpture is among a series of vacuum formed plastic pieces that Baxter& was well-known for. Born Iain Baxter […]

Beyond The Edges

“Perhaps mine is “environmental” sculpture, rather than geometric…I have never made anything not closely connected with the human being and his environment. Man and his longings, desires, his dwellings, the thresholds he passes over and his places of worship concern me; people, buildings, entrances through which people go in, come out; and the apprehension, the […]

Three Decades of Controversial Hangings Form the Backbone of New Exhibition

The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]

Close To Home: Local and Regional Artists in the AGGV Collection

The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]