The strong verticals of Tim Paul’s cedar totem carving resonate next to Sybil Andrew’s print of Western Red Cedar. This was the reason behind Curator Michelle Jacques’s placement of the two artworks side-by-side in the exhibition, Close To Home. The visual impact and the difference in colour tonality draw the eye from one to the other. […]
The early history of the Art Gallery of Greater Victoria and the formation of the permanent collection has been the subject of many past exhibitions at the Gallery. At the center of these stories is Colin Graham, the AGGV’s first Curator and Director, whose enthusiasm and vision was critical in establishing the Gallery as a […]
The exhibition Close To Home may be regarded as an extension of another exhibition at the AGGV, Moving Forward By Looking Back. Both shows examine the Gallery’s collecting policy that was put into place by Colin Graham, the institution’s first director, who played a vital role in establishing the AGGV. While the exhibition Moving Forward By […]
Our permanent collection is an important educational resource for the Gallery and it also contributes to many of our exhibitions; but, how did the collection come to be? Where did it come from? Who built it and for whom?
“Culture cannot be contained as it unfolds. My art enters this stream at many different points, looking backwards, looking forwards, generating its own sound and motion.”
The Art Gallery of Greater Victoria is committed to high quality educational programming. We launched the Teacher Resource Guide in September, and since then, our Gallery educators Sherry Willing and Jen Van de Pol have been busy facilitating 1/2 day workshops in participating schools along with guest artists Alexis Hogan and April Russell.